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  • A new feature film about serial killer Aileen Wuornos stars Charlize Theron as the rough-and-tumble drifter who was executed in Florida in 2002. Critics are praising Theron's portrayal of a woman whose story has inspired at least two documentary films in addition to a Hollywood studio picture. NPR's David D'Arcy reports.
  • Philanthropic organizations offer to help raise $150 million to move the Barnes Foundation's treasured art collection to downtown Philadelphia. Two-thirds of the sum would go toward the move and a new gallery. Skeptics worry the plan doesn't provide enough money to rebuild the collection's endowment and ensure its future. Joel Rose of member station WHYY reports.
  • Several of the nation's African-American museums are having a difficult time raising funds and attracting a broader audience. Many rely heavily on public funding at a time when state governments are facing severe budget shortfalls. Recently, museums in Detroit and Philadelphia needed emergency city help to keep their doors open. Joel Rose of member station WHYY reports.
  • Residents of Normandy, France, old enough to remember the 1944 invasion are being encouraged to come forward and share their memories. As the 60th anniversary of D-Day in June approaches, towns and villages across the region are holding meetings in an effort to record the testimony of those who lived through the Nazi occupation and the liberation. Alasdair Sandford reports.
  • In the ninth century, the Buddhist sage Lin Chi told a monk, "If you meet the Buddha on the road, kill him." He meant that those who think they've found all the answers in any religion need to start questioning. The new book Killing the Buddha takes this advice to heart, examining American roadside distractions on the path to enlightenment. Chicago Public Radio's Jason DeRose reports.
  • Through single-minded dedication to an unusual choice of instrument, New York-based musician Tom Varner has claimed a jazz niche with compositions and performances of the French horn. Working odd jobs and putting together fellowships, he's recorded 10 albums for small labels, including the recent Swimming and Second Communion on the Omni Tone label. Jeff Lunden reports.
  • The Trilogy, the latest project from French actor-director Lucas Belvaux, consists of three films with distinct plots populated by the same cast of characters. The project has already won France's top critics prize. Each film -- a crime drama, a romantic farce and a forlorn love story -- will open sequentially in U.S. theaters over the course of three weeks. Pat Dowell reports.
  • Contemporary photographer and visual artist Annette Lemieux has her work in many of the major art museums, but she's not quite sure where she fits. Is she a political artist? After Sept. 11, she shunned that title -- only to find that she still had to reflect the world around her. Caitlin Shetterly reports.
  • James Abbot McNeill Whistler's painting commonly known as "Whistler's Mother" has left its home in Paris for a rare tour stop in Detroit. Museums routinely use one-time loans like this one to stage major events and generate increased revenue. This practice has become more difficult with the rising costs of security after Sept. 11. Celeste Headlee from Detroit Public Radio reports.
  • The Holocaust Memorial Museum's new exhibit, "Deadly Medicine: Creating the Master Race," takes a chilling look at the Nazi use of eugenics and its applications. The term "eugenics" comes from the Greek word meaning "well-born." In the 20th century, it came to mean something far more sinister: a scientific movement to create a more perfect race. NPR's Christopher Joyce reports.
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