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Ukrainian President Volodymyr Zelenskyy called the visit a signal of bipartisan support from the U.S. Congress. The meeting took place as Ukraine said it had forced Russian troops away from Kharkiv.

Of all the big names to emerge from the Twin Cities music scene in the '80s, Soul Asylum is among the few that have weathered the test of time. With a career spanning more than two decades, the group has had plenty of time to hone its hook-filled alternative rock.

John Fogerty — once lead singer of Credence Clearwater Revival and now a solo artist — has buried the hatchet with his record label. The result is a new greatest hits CD called The Long Road Home.

Williamstown Theatre Festival in western Massachusetts offers a summer program that has been called "theater boot camp." British-trained actor Roger Rees is the company's new artistic director.

The young singer, part of a wave of British female pop stars finding success in the U.S., has been compared to Dusty Springfield and sparked rumors that her father is fellow Wales native Tom Jones. She talks about the tiny town where she grew up, and recording her first demos on a karaoke machine.

For 30 years, Depeche Mode has pioneered electronic music with the use of synthesizers, influencing newer acts like Coldplay and The Killers. The band's latest record, Sounds of the Universe, combines past and future, tapping enduring themes such as lust and religion, while creating futuristic arrangements with drum machines.

The singer and songwriter's new double album, High Wide and Handsome: The Charlie Poole Project, is a tribute to the old-time country banjo player who died in 1931.

Last November, for the first time in his career, Morrison revisited his second album, Astral Weeks, in concert. The result, Astral Weeks: Live at the Hollywood Bowl, arrives this week, offering a fresh take on one of the key recordings in late '60s rock.

I'm Not Jim is a collaboration between Walter Salas-Humara of The Silos and award-winning novelist Jonathan Lethem. The duo Elegant Too rounds out this unlikely quartet, whose first record is a mix of giddy pop and mournful blues called You Are All My People.

Washburn almost left the U.S. for China, where she'd planned to spend the rest of her days practicing law. As luck would have it, though, her growing fascination with learning the banjo led her to an unlikely recording career. Washburn's new album is titled City of Refuge.